Tom Watson's creative policy has been receiving some attention as an election looms onto the horizon. So what is Labour's policy? According to the policy document "A Creative Future for All" Labour recognises the key role culture plays in promoting the UK's image abroad and promoting trade and will place creativity at the heart of their industrial strategy…Read More
CVAN celebrates the many successes of our strongly embedded regional base delivering fantastic support to arts organisations through our regional networks but we also need to draw together and do more to promote our interests as a sector overall. So through the coming year CVAN will be looking at how we can work better together as a national network, how we innovate, how we engage across sectors and in creative partnerships regionally, nationally, and internationally, and how we promote diversity in the visual arts.Read More
Welcome to the last Director’s blog for 2018 and our very best wishes to CVAN regional networks and the visual arts sector. Time to banish the gloom and spice the wine!
Let's start with a bit of seasonal roundup cheer. The British painter, Jenny Saville, became the most expensive living female artist in October when Propped (1992) sold for £8.25m (£9.5m with fees) at Sotheby's in London according to the 2018 roundup in The Art Newspaper but her success was drowned out by a shredder! Congratulations also to Charlotte Prodger’s Turner Prize-winning exploration of queer identity, language, technology and time. CVAN celebrates our truly stellar female artists and looks forward to a New Year of innovation and diversity in the visual arts and continued international cooperation…Read More
We've been incredibly busy over the past month - having published our 3-year strategy, we are now working on a new communications strategy likely to include a rebrand and relaunch in 2020. We're also working hard on developing new partnerships, collaborations, and projects to address the many pressing issues facing our sector.
Whilst Governmental bandwidth is obviously hogged by Brexit this month, we have seen the publication of a new Civil Society Strategy and developments in the ongoing quagmire of Higher Education debt and fee levels which are likely to have a specific impact on the creative sector.
As a sector, the visual arts have always been committed to European membership, movement, and collaboration, but we now have very little realistic hope of influencing the government's thinking on migration and freedom of movement and are increasingly concerned about the design of replacement funding structures. CVAN is therefore looking at what we need to do to minimise the impact of Brexit (in whatever form) on the sector as well as supporting campaigns such as Free Move Create…Read More