Reflecting on the current discourse regarding exploitation, discrimination and systemic bias in the sector, Paul Hobson, Director of Modern Art Oxford and Chair of CVAN South East, considers the role of publicly-funded art institutions in promoting greater equality and inclusion in the sector…Read More
Referencing recently-published research into artists' livelihoods, Susan Jones raises questions about the Arts Council's future policies for support for artists:Read More
Working with organisations, photographers, community groups, academics and curators from across the country, the Open Eye Gallery are building a new network to discuss and accelerate the practice of socially engaged photography. In the spirit of social practice, the network will be shaped collaboratively by its users, beginning with a quick survey to gauge how the network can be as useful as it can be. We would appreciate it if anyone interested in joining could take some time to fill it in. The network is open — join below by signing up to the mailing list.Read More
Craig Ashley, Director of New Art West Midlands speaks at a-n Assembly, Birmingham on Friday 15th June 2018. Working in collaboration with artist and curator Antonio Roberts, Assembly Birmingham aimed to address the increasing amount of development taking place across the city and the Midlands as a whole, exploring both the opportunities and the challenges this presents for the visual arts community in the region.Read More
CVAN EM has commissioned a piece of critical writing about its Document project, that follows six artists in the East Midlands to reflect on their experience as practising artists, at this time, in their voices.
Artist and writer Tom Hackett, has in turn reflected on the project; how it came about, what it seeks to achieve, the six artists, and critically, its taking place in the East Midlands.
Read his piece on a-n The Artist's Information Company's website
Find out more about Document and the artists taking part, as well as about the events scheduled as part of the project.
CVAN's Director Paula Graham-Gazzard, responds to the results of NESTA's algorithmic analysis of a number of media databases under the heading #PressForProgress: Evidencing gender inequality in the arts.Read More
Taking place from 28 June - 1 July, Jamboree 2018 will bring together 150 visual artists, curators and programmers from around the UK to the Dartington Estate near Totnes in Devon. Developed by LOW PROFILE, Jamboree 2018 offers the chance for those who work in the arts to meet others, collaborate, stop, engage and recharge in beautiful surroundings and a positive, critically-engaged environment.
In advance of pre-registration closing for event next week, we find out more about the opportunity from LOW PROFILE and the Jamboree team.Read More
Creative Freelancers, is a new report published by the Creative Industries Federation aiming to transform the working lives of the self-employed in the industry.Read More
On Thursday 12 October 2017 in Settle, Yorkshire, Chrysalis Arts hold the second in a series of training and development events which will explore how artists working in rural environments or with rural themes are developing new platforms and approaches to visual arts practice.Read More
In April, ECVAN held their first public symposium. A video of selected highlights from the event is now available, as well as a document sharing some of the key themes that came out of the symposium breakout groups.Read More
Hear how a new generation of makers are revolutionising science, technology and engineering at Make:Shift, a Crafts Council conference on the future of making, in Manchester from 10 – 11 November.Read More
Visual Arts South West (VASW) are offering a critical writing commission to report on the Plymouth Art Weekender.Read More
10 new articles on contemporary art from 10 emerging writers: On Being Curious is a book telling the story of the North-West’s contemporary visual art scene, yet contributes to national and international debates around what it means to make powerful, arresting and effective arts practice.Read More
The Other MA (TOMA) is a 12 month alternative art education model, set up by practicing artists and based at Metal Art School in Southend-on-Sea. It is a response to the fact that many artists who wish to continue their learning and critical discourse with peers are unable to access most current MA provisions for a number of reasons - time, cost, work or family commitments.Read More
Art Photography and its Markets covers photography as art from the beginning of the twentieth century to the present day. It offers an expansive view of photography’s movement from the margins to the centre of the art world through the last century, and considers its place in the global contemporary art market today.Read More
University of Edinburgh (School of Art), University of Strathclyde (Creative Writing), University of Glasgow (Creative Writing) & Glasgow School of Art (Forum for Critical Inquiry) are collaborating on a series of SGSAH workshops that aim to facilitate creative writers & art writers to be more adept professional scholars in their respective fields. The workshops will enable PhD students to effectively share the different tactics, research methods, systems of distribution & audiences of their related writing-based disciplines.Read More
Arts Council Collection Curators’ Days are designed to provide an informal forum for curators from around the country to meet and network. Each event has a special focus, either looking at particular areas of professional practice or visiting new buildings and important exhibitions. All include guest speakers and opportunity for discussion.Read More
The Burlington Magazine Contemporary Art Writing Prize seeks to discover talented young writers on contemporary art, with the winner receiving £1000 and the opportunity to publish a review of a contemporary art exhibition in The Burlington Magazine.Read More