Milton Keynes Arts Centre’s 2019 Plate Fundraiser 18-31 March 2019

Milton Keynes Arts Centre’s 2019 Plate Fundraiser 18-31 March 2019

Jake and Dinos Chapman, Emma Cousin, Jeremy Deller, Heather and Ivan Morison, Peter Liversidge, Jesse Wine and Sarah Woodfine, are among 30 prominent and emerging contemporary artists donating unique artwork to Milton Keynes Arts Centre’s online charity auction, where each is responding to a ceramic plate. Money raised from the auction will support the delivery of a project collaborating with a young offenders group based in Milton Keynes. The project will see young people get hands on in Milton Keynes Arts Centre’s specialist ceramic studio, making personalised ceramic ware.

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New Socially Engaged Photography Network forms

New Socially Engaged Photography Network forms

Working with organisations, photographers, community groups, academics and curators from across the country, the Open Eye Gallery are building a new network to discuss and accelerate the practice of socially engaged photography. In the spirit of social practice, the network will be shaped collaboratively by its users, beginning with a quick survey to gauge how the network can be as useful as it can be. We would appreciate it if anyone interested in joining could take some time to fill it in. The network is open — join below by signing up to the mailing list.

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Livelihoods of Visual Artists Report

Livelihoods of Visual Artists Report

Published in January, a new study by TBR commissioned by the Arts Council concludes that portfolio careers are the norm among artists in a visual artists’ constituency clearly dominated by women. Income levels remain unacceptably low overall and artists’ livelihoods are over-reliant on earnings from work other than art practice. Notably, however like their counterparts in other arts professional and creative industry spheres, it is female artists who experience the greatest barriers to sustaining of art practices over a life-time and are earning less from their art practice than males. Read the research reports including Arts Council’s response here

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Director's Blog: January 2019

Director's Blog: January 2019

CVAN celebrates the many successes of our strongly embedded regional base delivering fantastic support to arts organisations through our regional networks but we also need to draw together and do more to promote our interests as a sector overall. So through the coming year CVAN will be looking at how we can work better together as a national network, how we innovate, how we engage across sectors and in creative partnerships regionally, nationally, and internationally, and how we promote diversity in the visual arts.

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Director's Blog - December 2018

Director's Blog - December 2018

Welcome to the last Director’s blog for 2018 and our very best wishes to CVAN regional networks and the visual arts sector. Time to banish the gloom and spice the wine!

Let's start with a bit of seasonal roundup cheer. The British painter, Jenny Saville, became the most expensive living female artist in October when Propped (1992) sold for £8.25m (£9.5m with fees) at Sotheby's in London according to the 2018 roundup in The Art Newspaper but her success was drowned out by a shredder! Congratulations also to Charlotte Prodger’s Turner Prize-winning exploration of queer identity, language, technology and time. CVAN celebrates our truly stellar female artists and looks forward to a New Year of innovation and diversity in the visual arts and continued international cooperation…

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BALTIC ARTIST' AWARD 2019 - 15 February – 16 June 2019

BALTIC ARTIST' AWARD 2019 - 15 February – 16 June 2019

BALTIC is delighted to present the second BALTIC Artists’ Award, a worldwide biennial art award judged solely by artists. Three internationally renowned artist-judges, Lubaina Himid, Michael Rakowitz and Haegue Yang, have each selected an artist who has the opportunity to realise new work which will be seen in this four-month exhibition

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Director's Update - 15 November 2018

Director's Update - 15 November 2018

We've been incredibly busy over the past month - having published our 3-year strategy, we are now working on a new communications strategy likely to include a rebrand and relaunch in 2020. We're also working hard on developing new partnerships, collaborations, and projects to address the many pressing issues facing our sector.

Whilst Governmental bandwidth is obviously hogged by Brexit this month, we have seen the publication of a new Civil Society Strategy and developments in the ongoing quagmire of Higher Education debt and fee levels which are likely to have a specific impact on the creative sector.

As a sector, the visual arts have always been committed to European membership, movement, and collaboration, but we now have very little realistic hope of influencing the government's thinking on migration and freedom of movement and are increasingly concerned about the design of replacement funding structures. CVAN is therefore looking at what we need to do to minimise the impact of Brexit (in whatever form) on the sector as well as supporting campaigns such as Free Move Create

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Directors' Update - 4 October 2018

Directors' Update - 4 October 2018

There's something of a theme emerging in a slew of recent reports and consultations and in artists responses to them: how does the visual arts sector with its socially embedded practices actually work and can it continue as it is - or can we feed it into a computer, bottle it, flip it, and label it with a flag? How radical is radical - or is it populist? Are we in revolutionary or just ‘interesting’ times?…

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